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Melpomene means a celebration of dance and song, while Thalia comes from the Greek thallein meaning to flourish or be verdant. [1] They are often depicted wearing the sock and buskin, which have also come to represent comedy and tragedy, and the masks are thus sometimes referred to as Sock and Buskin. [3] [better source needed]
Attempts have been made in modern times to investigate the use of masks in Athenian tragedy through practice research. [8] These explorations conclude that masks may lead to a more demonstrative style of acting, with declamatory delivery of the lines substituted for intimacy. They also found that the mask could impede the projection of sound.
The Masks of Menander: Sign and Meaning in Greek and Roman Performance, Cambridge, 1991. Wiles, David. Mask and Performance in Greek Tragedy: from ancient festival to modern experimentation, Cambridge, 1997. Wise, Jennifer, Dionysus Writes: The Invention of Theatre in Ancient Greece, Ithaca 1998. review
Mask of Dionysus found at Myrina (Aeolis) of ancient Greece c. 200 BC – 1 BC, now at the Louvre. Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play.
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Getty Villa – Storage Jar with a chorus of Stilt walkers – inv. VEX.2010.3.65. A Greek chorus (Ancient Greek: χορός, romanized: chorós) in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage ...
Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece (the others being tragedy and the satyr play). Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy.
A drinking cup, c. 490–480 B.C., depicting a maenad and a satyr.. The satyr play is a form of Attic theatre performance related to both comedy and tragedy.It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes.