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Lacquerware, Nguyễn dynasty, Vietnam A folding screen using Vietnamese lacquer A lacquered folding screen. Sơn mài is a painting technique in Vietnam. It developed from the painters of the Hanoi EBAI in the 1930s and today is counted a national painting style with many famous painters. In 1924 the Ecole des Beaux Arts was established in ...
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
The gifts are contained in amount of lacquer boxes, called mâm quả, that are covered in red paper or cloth and carried by the younger unmarried men of the future groom's family; the amount of each gift is even (with the exception of the roasted pig) while the amount of boxes are odd. (In Vietnamese culture, odd numbers and red symbolize luck ...
Lacquer dish with Chinese character for longevity, mid 16th century Maki-e sake bottle with Tokugawa clan's mon, Japan, Edo period Lacquer plate, Nam Định province, Vietnam, Nguyễn dynasty Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal.
The museum covers three three-floor buildings which house a collection featuring Vietnamese art works in sculpture, oil, silk painting and lacquer painting, as well as traditional styles including woodcut paintings in the Hàng Trống, Đông Hồ, and Kim Hoàng styles, as well as Vietnamese ceramics and a collection of ancient Buddhist art. [1]
In Vietnam's sơn mài lacquer painting, a black board is prepared first. Then colour chalks are used on the prepared board for base sketch. Needles can also be used for carving the base sketch as an alternative. In lacquer painting, eggshells are used as white colour due to the lack of pure white colour in lacquer.
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