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Soundtracks from the Shaolin Temple is a 2008 album by various artists affiliated with or part of the Wu-Tang Clan. [1] A majority of the tracks are produced by Bronze Nazareth and one is produced by Wu-Tang member RZA. Seven members of the Wu-Tang Clan make appearances on the album along with over 20 affiliates.
Once Upon a Time in Shaolin is the seventh studio album by the American hip hop group Wu-Tang Clan.Only one copy was created, with no ability to download or stream it. The only copy was purchased directly from the group in 2015 for $2 million, making it the most expensive work of music ever sold.
"Intro (Shaolin Finger Jab) / Chamber Music" GZA Masta Killa Method Man Raekwon Wu-Tang Clan RZA: The W: 2000 [8] "Iqra" – Once Upon a Time in Shaolin: 2015 [a] [5] "Iron Flag" Cappadonna Ghostface Killah Inspectah Deck Masta Killa Raekwon RZA U-God Robert Diggs Lamont Hawkins Darryl Hill Jason Hunter Elgin Turner Corey Woods: RZA: Iron Flag ...
The Wu-Tang Clan's slang has long been a staple of their music, wherein members would blend Five Percenter terms, Kung Fu/oriental words, and comic book and street terms to create their own nicknames for actions, people, places and things (such as the christening of Staten Island as "Shaolin Land" and money as "C.R.E.A.M.").
Shaolin Soul is a four-volume compilation of music sampled by the Wu-Tang Clan, and their various solo albums. The samples are principally for the tracks produced by RZA , and as such, largely cover the earlier years of their career.
From 1995 to 2007, Chang was the manager of the USA Shaolin Temple in New York City and her then-partner Shi Yan Ming. [10] [15]The USA Shaolin Temple is a martial arts and cultural center that teaches the philosophy and practices of Shaolin Kung Fu, as well as Chinese language, calligraphy, and music.
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Wu-Tang Forever is the second studio album by the American hip hop group Wu-Tang Clan, released June 3, 1997, by Loud and RCA Records in the United States. Pressed as a double album, it was released after a long run of successful solo projects from various members of the group, and serves as the follow-up to their debut album Enter the Wu-Tang (36 Chambers).