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Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
A positive image is a normal image. A negative image is a total inversion, in which light areas appear dark and vice versa. A negative color image is additionally color-reversed, [6] with red areas appearing cyan, greens appearing magenta, and blues appearing yellow, and vice versa.
Black and white negative processing is the chemical means by which photographic film and paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.
A black and white photographic print in a tray while being processed after exposure to light under a photographic enlarger. Typically three trays are used containing either developer, stop bath, or fixer, in that order. The print must then be rinsed in water to removed the fixer.
Most films and papers used for color photography today are chromogenic, using three layers, each providing their own subtractive color. Some chromogenic films provide black-and-white negatives, and are processed in standard color developers (such as the C-41 process). In this case, the dyes are a neutral color.
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints (cyanotype or Van Dyke brown), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.