Search results
Results from the WOW.Com Content Network
In Japanese the symbol is called "卍 " (Hepburn: manji) or "卍字 " (manji). The swastika is included in the Unicode character sets of two languages. In the Chinese block it is U+534D 卍 (left-facing) and U+5350 for the swastika 卐 (right-facing); [ 55 ] The latter has a mapping in the original Big5 character set, [ 56 ] but the former does ...
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
This category has the following 2 subcategories, out of 2 total. ... (1 C, 7 P) S. Swastika (28 P) Pages in category "Buddhist symbols" The following 37 pages are in ...
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
In Buddhism, these eight symbols of good fortune represent the offerings made by the gods to Shakyamuni Buddha immediately after he gained enlightenment. [ 1 ] Tibetan Buddhists make use of a particular set of eight auspicious symbols, ashtamangala , in household and public art.
The symbol of hand in the lower portion shows fearlessness and symbolizes the feeling of ahimsa towards all the creatures in this world. The circle in the middle of the hand symbolizes saṃsāra and the 24 spokes represent the preachings from the 24 Tirthankaras , which can be used to liberate a soul from the cycle of reincarnation.
Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.