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Huichol art broadly groups the most traditional and most recent innovations in the folk art and handcrafts produced by the Huichol people, who live in the states of Jalisco, Durango, Zacatecas and Nayarit in Mexico. The unifying factor of the work is the colorful decoration using symbols and designs which date back centuries.
In the Aztec worldview, this is the reason why the Sun is constantly chasing the Moon and stars. It is also why it was so important to provide tribute for Huitzilopochtli as sustenance for the Sun. [13] If Huitzilopochtli did not have enough strength to battle his siblings, they would destroy their mother and thus the world.
Homenaje al Sol (Tribute to the Sun).The intention of this work was to honor the nomads and natives of the Northeast who considered the Sun as a god. Rufino Tamayo, along with other muralists such as Rivera, Orozco, and Siqueiros, represented the twentieth century in their native country of Mexico. [8]
The version of the myth with Nanahuatzin serves as a framing device for the 1991 Mexican film, In Necuepaliztli in Aztlan (Return a Aztlán), by Juan Mora Catlett. The version of the myth with Nanahuatzin is in the 1996 film, The Five Suns: A Sacred History of Mexico , by Patricia Amlin .
The Pyramid of the Sun is the largest building in Teotihuacan, and one of the largest in Mesoamerica.It is believed to have been constructed about 200 CE. [4] Found along the Avenue of the Dead, in between the Pyramid of the Moon and the Ciudadela, and in the shadow of the mountain Cerro Gordo, the pyramid is part of a large complex in the heart of the city.
In 1905 Mexican archeologist and government official, in the regime of Porfirio Díaz, Leopoldo Batres [85] led a major project of excavation and restoration. The Pyramid of the Sun was restored to celebrate the centennial of the Mexican War of Independence in 1910. The site of Teotihuacan was the first to be expropriated for the national ...
The Aztec sun stone (Spanish: Piedra del Sol) is a late post-classic Mexica sculpture housed in the National Anthropology Museum in Mexico City, and is perhaps the most famous work of Mexica sculpture. [1] It measures 3.6 metres (12 ft) in diameter and 98 centimetres (39 in) thick, and weighs 24,590 kg (54,210 lb). [2]
The Aztec sun stone and a depiction of its base The Aztec or Mexica calendar is the calendrical system used by the Aztecs as well as other Pre-Columbian peoples of central Mexico . It is one of the Mesoamerican calendars , sharing the basic structure of calendars from throughout the region.
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