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Khon (Thai: โขน, pronounced) is a dance drama genre from Thailand.Khon has been performed since the Ayutthaya Kingdom. [1]It is traditionally performed solely in the royal court by men in masks accompanied by narrators and a traditional piphat ensemble.
The Khon Masked Dance Drama is a performing art that combines musical, vocal, literary, dance, ritual, and handicraft elements. Khon performances – which involve graceful dance movements, instrumental and vocal renditions and glittering costumes – depict the glory of Rama, the hero and incarnation of the god Vishnu, who brings order and ...
Bangkok is home to a number of theatres, which usually feature traditional performances such as the khon masked dance, or modern Western theatre–influenced plays and performances. List of theatres [ edit ]
The Thai term, Taree (Thai: ตารี) borrowed from Melayu word, Tari [9] and being adopted specifically for Thai-Malays Traditional Dance e.g. Taree Kipas Dance Thai version. [10] The term drama in Thai word such as, Khon which is derived from Tamil word, Kon [11] (Tamil: கோன், romanized: kōṉ) [12] means "King and god, a king, a ...
Khon is a traditional Thai dance focused on classical masks. This type of dance developed in the seventeenth century as a hybrid of Hindu military rituals and Thai martial arts. Khon focuses on the Ramakian epic, a version of the Ramayana story telling of Rama, an avatar of the Hindu God Vishnu, and his wife Sita who is abducted by the demon ...
Traditional Thai theatre includes various forms such as Khon (masked dance-drama), Nang (which encompasses shadow play, including Nang yai and Nang talung), Lakhon (classical dance-drama), Likay (folk theatre), Manora (classical dance-drama), and Hun (puppetry). Each of these forms has its own unique style, costume, and music.
Today, it is best known for traditional performances, especially of the khon masked dance. The theatre was built from 1960 to 1965, beginning under the supervision of Luang Wichit Wathakan , the prolific author and playwright who contributed much to the development of Thai nationalist discourse during the mid-20th century.
It is also used to accompany traditional Thai theatrical and dance forms including khon (Thai: โขน) (masked dance-drama), lakhon (classical dance), and shadow puppet theater. Piphat in the earlier time was called phinphat. [1] [2] [3] It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat.