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Fiction theory (also referred to as Fictionality theory) is a discipline that applies a form of possible world theory to literature. Drawing on concepts found in related theories and psychological ideas such as Parasocial interaction (PSI) and Fictionalism , theorists of fiction study the relationships between perceived textual worlds and ...
After the Second World War, science fiction moved towards more mutualistic relationships, as in Ted White's 1970 By Furies Possessed; Brian Stableford argues that White was consciously opposing the xenophobia of Robert Heinlein's 1951 The Puppet Masters which involved a parasitic relationship close to demonic possession, with a more positive ...
"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. [1]
The science fiction computer game Space Rogue featured the use of technologically harnessed wormholes called "Malir gates" as mechanisms for interstellar travel. Navigation through the space within wormholes was a part of gameplay and had its own perils.
Science fiction (sometimes shortened to sci-fi or abbreviated SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life.
Time travel in modern fiction is sometimes achieved by space and time warps, stemming from the scientific theory of general relativity. [9] Stories from antiquity often featured time travel into the future through a time slip brought on by traveling or sleeping, in other cases, time travel into the past through supernatural means, for example brought on by angels or spirits.
Simulated consciousness, synthetic consciousness, etc. is a theme of a number of works in science fiction.The theme is one step beyond the concept of the "brain in a vat"/"simulated reality" in that not only the perceived reality but the brain and its consciousness are simulations themselves.