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A texture map [5] [6] is an image applied ... especially for billboards and decal overlay textures. ... Photoshop, or painted onto 3D ...
The Photoshop and illusions.hu flavors also produce the same result when the top layer is pure white (the differences between these two are in how one interpolates between these 3 results). These three results coincide with gamma correction of the bottom layer with γ=2 (for top black), unchanged bottom layer (or, what is the same, γ=1; for ...
Layers were first commercially available in Fauve Matisse (later Macromedia xRes), [1] [better source needed] and then available in Adobe Photoshop 3.0, in 1994, but today a wide range of other programs, such as Photo-Paint, Paint Shop Pro, GIMP, Paint.NET, StylePix, and even batch processing tools also include this feature.
Superimposing film/TV titles and credits is a typical application of video overlay. In the image to be superimposed (indexed color is assumed), a given palette entry plays the role of the transparent color. Usually the index number 0, but other may be chosen if the overlay is performed by software. At design time, the transparent color palette ...
Procedurally generated tiling textures. In computer graphics, a procedural texture [1] is a texture created using a mathematical description (i.e. an algorithm) rather than directly stored data. The advantage of this approach is low storage cost, unlimited texture resolution and easy texture mapping. [2]
Blooming in a CCD image. Bloom in digital cameras is caused by an overflow of charge in the photodiodes, which are the light-sensitive elements in the camera's image sensor. [3]
Demonstration of z-fighting with multiple colors and textures over a grey background. Z-fighting, also called stitching or planefighting, is a phenomenon in 3D rendering that occurs when two or more primitives have very similar distances to the camera.
Ben Day dots are of equal size and distribution across a specific area, and are commonly applied to line art or graphic designs. To apply the dots, the artist would cut the appropriate shapes from transparent overlay sheets, which were available in a wide variety of dot size and distribution, to provide a range of tones to use.
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