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A pattern using longer notes alternating with shorter notes is sometimes called a dotted rhythm, whether or not it is written as such. Historical examples of music performance practices using unequal rhythms include notes inégales and swing. The precise performance of dotted rhythms can be a complex issue.
If the effect of a passage was dotted, the compelling rhythm of the dotted notes, or notes inégales, would sometimes simply override all the rules. The Handel Fugue in D Minor from the First Sett of Suites 1709 in its first editions shows the first few notes of the theme with dotted rhythms, but the dots stop after 4 note for the first two ...
4 time, featuring dotted rhythms (both long-short and short-long "Scotch snaps"), which in traditional playing are generally somewhat exaggerated rhythmically. Examples of strathspeys are the songs "The Bonnie Banks o' Loch Lomond" and "Coming Through the Rye" (which is based on an older tune called "The Miller's Daughter").
One measure of the "Scotch snap" or Lombard rhythm notated in sheet music in a 4/4 time signature. The Lombard rhythm or Scotch snap is a syncopated musical rhythm in which a short, accented note is followed by a longer one. This reverses the pattern normally associated with dotted notes or notes inégales, in which the longer value precedes ...
Siciliana rhythms. [1]The siciliana [sitʃiˈljaːna] or siciliano (also known as sicilienne or ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period.
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
Every triple-pulse pattern has its duple-pulse correlate; the two pulse structures are two sides of the same coin. Cross-beats are generated by grouping pulses contrary to their given structure, for example: groups of two or four in 12 8 or groups of three or six in 4 4. [4]
Bach also suggested the slide could have a dotted rhythm, enhancing its expressiveness. [6] As quoted by Donington, Johann Joachim Quantz (1752) indicated that undotted slides belong to the French style, whereas dotted slides are appropriate to Italian style. [1]