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The young princess Psyche is depicted here as being somewhat surprised by the first kiss she is receiving from Cupid (or Eros), which remains invisible to her eyes. The ancient myth told here is not only a love story, but also a metaphysical allegory: Psyche is in fact the personification of the human soul, related to the overwhelming passion ...
Psyche Honoured by the People (1692–1702) from a series of 12 scenes from the story by Luca Giordano. The tale of Cupid and Psyche (or "Eros and Psyche") is placed at the midpoint of Apuleius's novel, and occupies about a fifth of its total length. [6] The novel itself is a first-person narrative by the protagonist Lucius.
Eros, the Greek equivalent, is often depicted in as a young man and Psyche as a young woman. Bouguereau chose to portray the characters of Cupid and Psyche as young children, almost babies. He painted Psyche with butterfly wings, for psyche was the Greek word given to butterflies by Aristotle. [3]
Psyche et L'Amour (1889) by William Bouguereau. The story of Eros and Psyche has a longstanding tradition as a folktale of the ancient Greco-Roman world long before it was committed to literature in Apuleius' Latin novel, The Golden Ass. The novel itself is written in a picaresque Roman style, yet Psyche retains her Greek name even though Eros ...
The "Marlborough gem", onyx cameo (Boston Museum of Fine Arts)The "Marlborough gem" is a carved onyx cameo that depicts an initiation ceremony of Psyche and Eros. [1]It is the most famous engraved gem in the extensive and prominent collection both inherited (through a marriage in 1762) and expanded by George Spencer, 4th Duke of Marlborough. [2]
Psyche, although doubtful, was eventually swayed by her sisters' words and looked upon Eros while he was sleeping, sneaking into his room with an oil lamp and a knife. As Psyche shone the light on her husband's face, she realized that he was a god and reprimanded herself for her foolishness.
The painting's popular English title, The Enchanted Castle, was first used in an engraving after the picture of 1782. [2] The picture perhaps shows Psyche's enforced arrival in Cupid's Kingdom, when the Zephyr wafts her to 'deep valley, where she was laid in a soft grassy bed of most sweet and fragrant flowers'. After rest, she sees 'in the ...
The painting shows Psyche, seated at right in a white garment, waiting for her two sisters along with various nymphs at the palace of Cupid, where she shows the gifts she has received from her lover. The two envious sisters persuade Psyche to reveal her lover's identity in order to break the faith between the two of them. [4]