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The early house music sound was a "dialogue" between Hispanic, [2] and Black American post-disco [3] [4] [5] and European post-punk [6] [7] electronic music and their traditions with Italo-disco picked or, emulated the most, [8] as the template for house music. [9]
A second mash-up version of the single, "The Night Writers / BnC -- Let The Music (Use You) / House Ain't Givin Up" was released by Jack Trax later the same year. [ citation needed ] From 1987 to 2021, the track has been reissued, remastered, and remixed at least 14 times on labels such as Danica Records, Jack Trax, Ffrreedom , Danceteria ...
Bad Boy Bill was a regular DJ on the popular house mixes on WBMX 102.7 FM in Chicago, WGCI 107.5 FM and then on the B96 96.3 FM a top pop station. As a remixer, he landed his first Top Five Billboard Dance Chart hit at the age of 19 – Dada Nada 's "Deep Love" which also featured remixes by House music legends Frankie Knuckles & David Morales ...
The Warehouse was a place that allowed house music to flourish as a continuation of disco under Frankie Knuckles. It continued the tradition of making music for the club, for people to truly feel and to create a holy dance atmosphere and experience over just trying to make something that could get hits on the radio or top 40 charts.
"Space Invaders" was influential in the history of electronic dance music: [4] a bootleg mashup called "On And On" used the original recording of "Space Invaders," and the bassline was re-used by Jesse Saunders for what is commonly held to be the first Chicago house record, also called "On and On" (1984). [5] [6]
The Warehouse, where DJ Frankie Knuckles helped introduce house music, got landmark status ahead of this weekend’s Chicago House Music The post The Warehouse, synonymous with house music ...
"Love Can't Turn Around" is a 1986 Chicago house song by American musicians, DJs and record producers Farley Keith Williams a.k.a. Farley "Jackmaster" Funk and Jesse Saunders featuring vocalist Darryl Pandy. It holds an important place in the history of house music as the first record in that genre to cross over from the US clubs to the UK ...
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