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A rest is the absence of a sound for a defined period of time in music, or one of the musical notation signs used to indicate that. The length of a rest corresponds with that of a particular note value, thus indicating how long the silence should last. Each type of rest is named for the note value it corresponds with (e.g. quarter note and ...
Tacet is Latin which translates literally into English as "(it) is silent" (pronounced: / ˈ t eɪ s ɪ t /, / ˈ t æ s ɪ t /, or / ˈ t ɑː k ɛ t /). [1] It is a musical term to indicate that an instrument or voice does not sound, also known as a rest.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Music inherently depends on silence, in some form or another, to distinguish other periods of sound and allow dynamics, melodies, and rhythms to have greater impact. For example, most music scores feature rests, which denote periods of silence. In addition, silence in music can be seen as a time for contemplation. The audience feels the effects ...
Lit. "he/she keeps silent": do not play tasto, sul tasto or tastiera (tast.) On the fingerboard (i.e. in string playing, an indication to bow or to pluck over the fingerboard); playing over the fingerboard produces a duller, less harmonically rich, gentler tone. The opposite of sul ponticello. tasto solo
Kate Molleson states that the “classical music community gives mixed messages”, as “[a]ccessibility is the industry catchword” (e.g., concert venues encourage casual attire), and yet audiences “demand sanctimonious listening environments of silence and absolute stillness” in classical venues, which “alienates those not in the know ...
PARIS (AP) — A soft voice from the loudspeaker reminds the restless crowd: “Shhh. Shhh.” The whistle blows. Suddenly, spectators fall silent and even the slightest noise echoes through the ...
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...