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The album marked the duo's growth, continuing their exploration of soul with a stronger focus on funk and R&B elements. Free Money was well-received, with radio station KCRW naming it one of the best albums of the year. Songs like "Money Clouds" and "Red Lights" were praised for their smooth vocals, funky bass lines, and modern take on classic ...
He may be best known now for Top Gun’s “Danger Zone,” but Loggins’ true passion lies in funky bass lines and twinkly electric piano. The Doobie Brothers, ‘What a Fool Believes’ ...
The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
Sultry crooner Jorja Smith does what she does best over funky bass lines and rock guitars. Her lovelorn lyrics are contrasted with Lil Durk’s Auto-Tuned emotion: “The media treat me like I ain ...
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1] It often includes disco strings, though not consistently.
A separation between "organ" and "bass" mixes of tracks appeared in the early bassline scene, with "bass" or "B-Line" tracks featuring a "warp" or "reese" synthesized bass line, influenced by speed garage, and "organ" tracks featuring sampled Korg M1-style organ leads, influenced by the house music of the 1990s.
The scratchy guitar intro was done by Barry and the funky bass line by Maurice. The pulsing synthesiser bass line, which featured in the final recording, was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording.
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