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The lengthy full title of both the opera and the poem is The Tale of Tsar Saltan, of his Son the Renowned and Mighty Bogatyr Prince Gvidon Saltanovich and of the Beautiful Princess-Swan (Russian: Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне ...
Edward Tsanga (Russian: Цанга, Эдуард Николаевич; Syktyvkar, 20 October 1979 – 14 January 2017, Saint Petersburg) was a Russian operatic bass-baritone at the Mariinsky Opera. [ 1 ] [ 2 ] His video recordings include roles in two operas under Valery Gergiev : as the tsar in Rimsky-Korsakov 's The Tale of Tsar Saltan , and ...
Francesca-Cavazza made her professional opera debut in 1962 at the Cologne Opera in a minor role, and the following year performed her first leading role with that company as Tsaritsa Militrisa in Nikolai Rimsky-Korsakov's The Tale of Tsar Saltan. [2]
On this stage, she performed the leading opera parts composed for high soprano (lyrical coloratura soprano), such as Antonida (A Life for the Tsar), The Snow Maiden (Snegurochka), The Swan-Princess (The Tale of Tsar Saltan), Marfa (The Tsar's Bride), the Queen of Shemakha/Shemakhan Tsaritsa (The Golden Cockerel), Violetta (Verdi's La traviata ...
She went on to sing in many notable performances there including the world premieres of Mascagni's Nerone, Franco Vittadini's La Sagredo, the Italian premiere of Rimsky-Korsakov's The Tale of Tsar Saltan and some of the earliest performances Wolf-Ferrari's Sly, Vincenzo Michetti's La Maddalena, and Respighi's La campana sommersa.
Volkov has performed in The Tale of Tsar Saltan at La Monnaie in Brussels and Eugene Onegin at the Vienna State Opera, both directed by Dmitri Tcherniakov, and Cosi fan tutte at the 100th Salzburg Festival, directed by Christof Loy. With the role of Ferrando Bogdan, he made his Teatro alla Scala debut in 2021 and later at the Royal Opera House. [2]
Flight of the Bumblebee" (Russian: Полёт шмеля) is an orchestral interlude written by Nikolai Rimsky-Korsakov (1844–1908) for his opera The Tale of Tsar Saltan, composed in 1899–1900. This perpetuum mobile is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's ...
The Times wrote of her, following her performance in London of Rimsky-Korsakov's Tsar Saltan in 2008, "The best of the young bunch was Viktoria Yastrebova, whose dark, rich and powerful soprano made one wonder if the phrase “the next Anna Netrebko” might finally be justly deployed." [7]
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