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Lossless data compression is used in many applications. For example, it is used in the ZIP file format and in the GNU tool gzip. It is also often used as a component within lossy data compression technologies (e.g. lossless mid/side joint stereo preprocessing by MP3 encoders and other lossy audio encoders). [2]
Most formats up until 2022 were for storing 2D images, not 3D ones. The data stored in an image file format may be compressed or uncompressed. If the data is compressed, it may be done so using lossy compression or lossless compression. For graphic design applications, vector formats are often used. Some image file formats support transparency.
Typically, compressions using lossless operation mode can achieve around 2:1 compression ratio for color images. [5] This mode is quite popular in the medical imaging field, and defined as an option in DNG standard, but otherwise it is not very widely used because of complexity of doing arithmetics on 10, 12, or 14bpp values on typical embedded 32-bit processor and a little resulting gain in ...
AV1 Image File Format Alliance for Open Media (AOMedia) AV1.avif image/avif General purpose royalty-free BAY: Casio RAW Casio.bay BMP: raw-data unencoded or encoded bitmap simple colour image format, far older than Microsoft; some .bmp encoding formats developed/owned by Microsoft.bmp, .dib, .rle,.2bp (2bpp) image/x-bmp Used by many 2D ...
The Quite OK Image Format (QOI) is a specification for lossless image compression of 24-bit (8 bits per color RGB) or 32-bit (8 bits per color with 8-bit alpha channel RGBA) color raster (bitmapped) images, invented by Dominic Szablewski and first announced on 24 November 2021.
Image compression is a type of data compression applied to digital images, to reduce their cost for storage or transmission. Algorithms may take advantage of visual perception and the statistical properties of image data to provide superior results compared with generic data compression methods which are used for other digital data. [1]
Lossless compression of digitized data such as video, digitized film, and audio preserves all the information, but it does not generally achieve compression ratio much better than 2:1 because of the intrinsic entropy of the data. Compression algorithms which provide higher ratios either incur very large overheads or work only for specific data ...
While data reduction (compression, be it lossy or lossless) is a main goal of transform coding, it also allows other goals: one may represent data more accurately for the original amount of space [5] – for example, in principle, if one starts with an analog or high-resolution digital master, an MP3 file of a given size should provide a better ...