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Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul.". The Book of Psalms is part of the third section of the Hebrew Bible , and a book of the Christian Old Testament .
The libretto alternates between biblical verses and free contemporary poetry, which is common in Bach's later cantatas, but rare among his early cantatas. The text of movements 2, 4, and 6 are selected psalm verses, Psalms 25:1–2, 5, 15. The author of the poetry is unknown.
Unlike the chant-like verses, the antiphon is more like a short hymn-verse in a regular metre. The tempo of the antiphon is directly related to that of the verse: the one-beat-in-the-bar verse equals the beat unit, typically crotchet (quarter note) or dotted crotchet, of the antiphon. There should be no break between psalm and antiphon: each ...
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The 23rd psalm, in which this phrase appears, uses the image of God as a shepherd and the believer as a sheep well cared-for. Julian Morgenstern has suggested that the word translated as "cup" could contain a double meaning: both a "cup" in the normal sense of the word, and a shallow trough from which one would give water to a sheep.
There is also a very famous full-page miniature showing Eadwine at work, which is highly unusual and possibly a self-portrait. [1] In addition to this, there is a prefatory cycle of four folios, so eight pages, fully decorated with a series of miniatures in compartments showing the Life of Christ, with parables and some Old Testament scenes.
The movement derives its name from Psalm 127:3–5, where many children are metaphorically referred to as the arrows in a full quiver. Some sources have referred to the Quiverfull position as providentialism, [5] while other sources have simply referred to it as a manifestation of natalism. [6] [7]