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A storyboard for an animated cartoon, showing the number of drawings (~70) needed for an 8-minute film. A film storyboard (sometimes referred to as a shooting board), is essentially a series of frames, with drawings of the sequence of events in a film, similar to a comic book of the
Agency storyboards are typically created in full color and detail, whether originating from photographs manipulated in Photoshop or other photo editing software, or drawn from scratch by a storyboard artist, or even a combination of the two where a storyboard artist combines photographic images and drawing.
"A picture is worth a thousand words" is an adage in multiple languages meaning that complex and sometimes multiple ideas [1] can be conveyed by a single still image, which conveys its meaning or essence more effectively than a mere verbal description.
The drawer chooses a card out of a deck of special Pictionary cards and tries to draw pictures which suggest the word printed on the card. The pictures cannot contain any numbers or letters, nor can the drawers use spoken clues about the subjects they are drawing. The teammates try to guess the word the drawing is intended to represent.
Painting with acrylic paint on the reverse side of an already inked animation cel, here placed over the original drawing. Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand.
Exquisite corpse (from the original French term cadavre exquis, literally exquisite cadaver) is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g., "The adjective noun adverb verb the adjective noun ."
Christ's Charge to Peter, one of the Raphael Cartoons, c. 1516, a full-size cartoon design for a tapestry. In fine art, a cartoon (from Italian: cartone and Dutch: karton—words describing strong, heavy paper or pasteboard and cognates for carton) is a full-size drawing made on sturdy paper as a design or modello for a painting, stained glass, or tapestry.
Concept artists are expected to draw many iterations of the same concept. Often, they may reference real-world objects. Concept art ranges from stylized to photorealistic depending on the needs of the project. Artists working on a project often produce a large turnover in the early 'blue sky' stage of production. [8]
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