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A metronome (from Ancient Greek μέτρον (métron) 'measure' and νόμος (nómos) 'law') is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light.
For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two beats every second. The note value of a beat will typically be that indicated by the denominator of the time signature. For instance, in 4 4 time, the beat will be a crotchet, or quarter note.
Pulses per quarter note (PPQN), also known as pulses per quarter (PPQ), and ticks per quarter note (TPQN), is the smallest unit of time used for sequencing note and automation events. [ 1 ] The number of pulses per quarter note is sometimes referred to as the resolution of a MIDI device, and affects the timing of notes that can be achieved by a ...
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Alignment of beats in the beatmatching process. Beatmatching or pitch cue is a disc jockey technique of pitch shifting or time stretching an upcoming track to match its tempo to that of the currently playing track, and to adjust them such that the beats (and, usually, the bars) are synchronized—e.g. the kicks and snares in two house records hit at the same time when both records are played ...
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4 time in the key of B minor, with a moderate hip-hop groove of 144 beats per minute and a looping chord progression of Bm–D–Bm–D–Bm, while using "sassy handclaps". [10] [11] The artists' vocal range spans from A 3 to F 5, [10] with the harmonies being described as "close-clustered and tightly executed". [12]