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Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937 opened on March 13, 2014, and ran through September 1, 2014. This exhibition was the first major U.S. museum exhibition devoted to the infamous display of modern art by the Nazis since the 1991 presentation at the Los Angeles County Museum of Art .
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. ... New Year's Eve (1924 film) Die Nibelungen;
Kammerspielfilme (the plural form) formed a German film movement of the 1920s silent film period that was developed around the same time as the more commonly known Expressionist movement in cinema. The Kammerspielfilm was known as the "chamber drama" as a result of the influence from the theatrical form of the chamber play . [ 4 ]
Jill Lloyd is a writer and curator specializing in twentieth-century art, with particular expertise for German and Austrian art.She has organised many critically acclaimed exhibitions for leading museums and has published widely, including her book German Expressionism, Primitivism and Modernity (Yale University Press), which was awarded the first National Art Book Prize.
Pages in category "Paintings in the Museum of Modern Art (New York City)" The following 80 pages are in this category, out of 80 total. This list may not reflect recent changes .
There, he worked as a architectural designer [1] before establishing a gallery for Austrian and German Expressionist art. In 1968 he opened a commercial art gallery on New York's Madison Avenue. He also collected artworks by Egon Schiele, Gustav Klimt and Oskar Kokoschka, most of which are now exhibited in the Neue Galerie New York. [2]
Through the 1920s and after, Klein devoted much of his work to designs for theater and film production. He was the set designer for Robert Wiene's 1920 film Genuine, [3] and for the 1924 production of Ernst Toller's Hinkemann. [4] Klein was included in the famous Degenerate Art exhibition mounted by the Nazi regime in 1937.
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