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The use of found objects in music takes one of two general forms: either objects are deliberately recorded, with their sound used directly or in processed form, or previous recordings are sampled for use as part of a work (the latter often being referred to simply as "found sound" or "sampling").
The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece
Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials. [1] [2]
In music, especially folk and popular music, a matrix is an element of variations which does not change. [1] The term was derived from use in musical writings and from Arthur Koestler's The Act of Creation, who defines creativity as the bisociation of two sets of ideas or matrices. [2]
In the 2000s, composition is considered to consist of the manipulation of each aspect of music (harmony, melody, form, rhythm and timbre), according to Jean-Benjamin de Laborde (1780, 2:12): Composition consists in two things only. The first is the ordering and disposing of several sounds...in such a manner that their succession pleases the ear.
The judge found that the sample, comprising six seconds and three notes, was de minimis (small enough to be trivial) and did not require clearance. Newton lost appeals in 2003 and 2004. [63] [64] In the 2005 case Bridgeport Music, Inc. v. Dimension Films, the hip hop group N.W.A. were successfully sued for their use of a two-second sample of a ...
Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". [2] It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art."
Pictures at an Exhibition [a] is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky.It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year.