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The psychology of art is the scientific study of cognitive and emotional processes precipitated by the sensory perception of aesthetic artefacts, such as viewing a painting or touching a sculpture.
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.
A mathematical theory of perception-in-action has been devised and investigated in many forms of controlled movement, and has been described in many different species of organism using the General Tau Theory. According to this theory, "tau information", or time-to-goal information is the fundamental percept in perception.
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
The Rubin vase faces–vase drawing that Danish psychologist Edgar Rubin described [8] [9] exemplifies one of the key aspects of figure–ground organization, edge-assignment and its effect on shape perception. In the faces–vase drawing, the perceived shape depends critically on the direction in which the border (edge) between the black and ...
Perceptual psychology is a subfield of cognitive psychology [1] that concerns the conscious and unconscious innate aspects of the human cognitive system: perception. [2] A pioneer of the field was James J. Gibson. One major study was that of affordances, i.e. the perceived utility of objects in, or features of, one's surroundings. According to ...
In visual perception, the kinetic depth effect is the phenomenon whereby the three-dimensional structural form of an object can be perceived when the object is moving. In the absence of other visual depth cues , this might be the only perception mechanism available to infer the object's shape.
According to Event Segmentation Theory (EST), [25] the perception of event boundaries is a side effect of prediction during ongoing perception. Prediction is an adaptive mechanism made up of cognitive event models that represent "what is going on now" to create expectations and attentive biases for ongoing processing.