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A majority of the unpublished works are found in private partbooks collections. A number of 5- and 6-voice works found in the Baldwin Partbooks are rendered incomplete, as the Tenor partbook has been lost. for 3 voices: Sanctus (authenticity uncertain) for 4 voices: Alleluia. Confitemini Domino; Christe qui lux es; for 5 voices: Audivi vocem a5
His 8 symphonies (see e.g. the article on Symphony No.1 (Op.33, 1958)) either use the twelve-tone technique, or serial techniques with other kinds of rows, or both [5] Lou Harrison. Rapunzel (1952) Symphony on G (1952) Josef Matthias Hauer. All works written after August 1919 (though the twelve-tone technique used is not Schoenberg's system)
A chronology of works is especially difficult because of missing and sometimes misleading dates; [1] as Elliott Carter put it in 1939: "[Ives] has rewritten his works so many times, adding dissonances and polyrhythms, that it is impossible to tell just at what date the works assumed the surprising form we know now." [2]
The following is a list of musical works by the English composer Arthur Sullivan, best known for his operatic collaborations with W. S. Gilbert. In all, Sullivan's artistic output included 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, one song cycle, incidental music to several plays, numerous hymns and ...
Brilliant Classics: Tallis: Complete Works; Signum Records - Thomas Tallis: The Complete Works; Booklet from the Complete Works 10-CD box set; Compositions by Thomas Tallis in the Choral Public Domain Library (ChoralWiki)
Contributions of 5 variations and a waltz to the Paraphrases, a collection of pieces by Borodin, Cui, Liadov, Liszt, Rimsky-Korsakov, and Nikolai Vladimirovich Shcherbachov (originally published in 1879, with pieces added later to total 24 variations and 17 other pieces); the two-finger theme of this work is known also as "Tati-tati" or a ...
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
Concerti have been written where the piano is not the only solo instrument. A famous example is the Triple concerto (for piano, violin, cello and orchestra) by Beethoven. There also exist a number of compositions for piano and orchestra which treat the piano as a solo instrument while not being piano concerti.
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