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Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
The Harlem Renaissance was another significant development in American art. In the 1920s and 30s a new generation of educated and politically astute African-American men and women emerged who sponsored literary societies and art and industrial exhibitions to combat racist stereotypes.
The Harlem Renaissance refers to an enormous flourishing in African-American art of all kinds, including visual art. Ideas that were already widespread in other parts of the world at the time had begun to spread into U.S. artistic communities during the 1920s.
Selma Hortense Burke (December 31, 1900 – August 29, 1995) was an American sculptor and a member of the Harlem Renaissance movement. [1] Burke is best known for a bas relief portrait of President Franklin D. Roosevelt which may have been the model for his image on the obverse of the dime. [2]
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Starting around the time of the end of World War I, Harlem became associated with the New Negro movement, and then the artistic outpouring known as the Harlem Renaissance, which extended to poetry, novels, theater, and the visual arts. The growing population also supported a rich fabric of organizations and activities in the 1920s.
[6] He is described as an artist "whose work reflects the complexities of the Harlem Renaissance at its pinnacle" despite spending little time with other African American artists during his time in Harlem. [3] [7] His work is often labeled as Symbolic Abstractionist, being one of the first African-American artists to paint in the Cubist style. [8]
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