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The ngoni (also written ngɔni, n'goni, or nkoni) is a traditional West African string instrument. Its body is made of wood or calabash with dried animal (often goat) skin head stretched over it. The ngoni, which can produce fast melodies, appears to be closely related to the akonting and the xalam.
Banjo music originated informally as a form of African folk music over a hundred years ago probably in the sub-Saharan region. When the Americans forced African slaves to work on the plantations, banjo music followed them, and stayed primarily a form of African folk music, up to the 1800s.
As the name suggests, it is usually played with a guitar-style pick (that is, a single one held between thumb and forefinger), unlike the five-string banjo, which is either played with a thumbpick and two fingerpicks, or with bare fingers. The plectrum banjo evolved out of the five-string banjo, to cater to styles of music involving strummed ...
"The banjo had its first big site of growth in this country among the enslaved population in the Chesapeake Bay region, who were my ancestors," Blount says. Meet the musician teaching the banjo's ...
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
The akonting ([ə'kɔntiŋ], [1] or ekonting in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa.It is a string instrument with a skin-headed gourd body, two long melody strings, and one short drone string, akin to the short fifth "thumb string" on the five-string banjo.
The following is a list of musical instruments from the Africa continent as well as their countries or regions of origin. A Adungu ... Banjo music; Batá drum (Nigeria)
The annual Banjo Collectors Gatherings also serve as the principal forums for the presentations of new research on the banjo's history and organology. Jatta's presentation, in which he performed on the akonting and showed film footage of other Jola musicians playing the instrument, made for quite a sensation.