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The following are songs which deal directly with Halloween, or deal with related themes and have appeared on a widely released Halloween compilation album. Subcategories This category has the following 4 subcategories, out of 4 total.
The album was released in anticipation of the December 9, 2005 premiere of the film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. By October 2005, the songs "Remembering You" by Steven Curtis Chapman and "Waiting for the World to Fall" by Jars of Clay were already being played on Contemporary Christian radio.
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) composed by Harry Gregson-Williams. The Chronicles of Narnia: Prince Caspian (2008) composed by Harry Gregson-Williams. The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) composed by David Arnold.
Ranging from movie soundtracks, theme songs, and even eerie radio hits, these 80 best Halloween songs of all time will help you make the perfect Halloween music playlist that's guaranteed to keep ...
Put together a Halloween playlist worthy of a real-life monster mash with these spooky Halloween songs, including Superstition, Time Warp, and more.
Gregson-Williams was the first composer whom director Andrew Adamson approached for the film because they had worked together on Shrek (2001) and Shrek 2 (2004). Because Adamson had to shoot the film in New Zealand for an extended period and Gregson-Williams was working on scores for films such as Kingdom of Heaven, he initially only prepared for the project by re-reading the book and reading ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
"Narnia" is a song about childhood, [4] and is based on the children's fantasy novel The Lion, the Witch and the Wardrobe by C.S. Lewis. Hackett wrote it with "a picture of kids skipping around and having fun" in his mind, [4] and wanted Walsh on vocals and Ehart on drums after he liked the a capella vocals on the 1976 Kansas song "Carry on ...
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