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This is a list of free and open-source software (FOSS) packages, computer software licensed under free software licenses and open-source licenses. Software that fits the Free Software Definition may be more appropriately called free software; the GNU project in particular objects to their works being referred to as open-source. [1]
Released as free software in 2004 BSD-3-Clause (since OpenMPT 1.17.02.53) / GPL-2.0-or-later, partly public domain: SoundTracker: Yes No Yes No Fast Tracker clone GPL-2.0-or-later: SunVox: Alexander Zolotov Yes Yes Yes Yes Also runs on Windows CE. Proprietary (Music Creation Studio) BSD-3-Clause (Engine) Noise Station: Mark Sheeky No No No Yes ...
This section only includes software, not services. For services programs like Spotify, Pandora, Prime Music, etc. see Comparison of on-demand streaming music services. Likewise, list includes music RSS apps, widgets and software, but for a list of actual feeds, see Comparison of feed aggregators.
Pages in category "Free software programmed in C" The following 200 pages are in this category, out of approximately 633 total. This list may not reflect recent changes .
Listed here are articles for free and commercial software concerned with various aspects of music creation or enjoyment. Music software covers a wide array of functions ranging from musical composition software, audio recording software and editing, music synthesis software, music playing software, music education tools, etc.
This is a category of articles relating to software which can be freely used, copied, studied, modified, and redistributed by everyone that obtains a copy: "free software" or "open-source software". Typically, this means software which is distributed with a free software license , and whose source code is available to anyone who receives a copy ...
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It is called Csound because it is written in C, as opposed to some of its predecessors. It is free software, available under the LGPL-2.1-or-later. Csound was originally written at MIT by Barry Vercoe in 1985, based on his earlier system called Music 11, which in its turn followed the MUSIC-N model initiated by Max Mathews at the Bell