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[10] Le Samouraï: Jean-Pierre Melville: 1967 France [13] [14] Sandra: Luchino Visconti: 1965 Italy [10] Seance on a Wet Afternoon: Bryan Forbes 1964 United Kingdom [47] Seconds: John Frankenheimer 1966 United States [1] The Secret Ways: Phil Karlson: 1961 United States [8] The Servant: Joseph Losey 1963 United Kingdom [47] Seven Days in May ...
American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
In 2014, Time Out listed The French Connection as the 31st-best action film of all time, according to a poll of film critics, directors, actors, and stunt actors. [45] Some writers have called The French Connection a neo-noir film. [46] The Japanese filmmaker Akira Kurosawa cited The French Connection as one of his favorite films. [47] [48]
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The Man Who Wasn't There (2001) While many Coen Brothers films can be classified as "neo-noir," they took the genre on directly when they made The Man Who Wasn't There, a movie that—if it wasn't ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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