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The term Three Line Group describes a group of Attic black-figure vase painters, as well as a type of vase. They belong to the last quarter of the sixth century BC. The group's conventional name is based on its habit of separating the individual decorative stripes on small-format neck amphorae with three separating lines. The group produces ...
The vase collection is listed until 2010. The find complex associated with a group of ancient Apulian picture vases for a funeral ceremony (German: Apulische Bildervasen für eine Totenfeier) consists of 29 vases, plates, vase fragments, and fragment groups, which are showpieces of the Berlin Collection of Classical Antiquities in the Altes Museum.
In 1900 Young hired Ross C. Purdy to create the company's first art pottery line, named Rozane (a contraction of "Roseville" and "Zanesville"). [3] The Rozane line was designed to compete against Rookwood Pottery's Standard Glaze, Owens Pottery's Utopian, and Weller Pottery's Louwelsa art lines. By 1901, the company owned and operated four ...
A different example of the eye-cup shape. Chalkidian black-figure eye-cup, circa 530 BC The bilingual eye-cup by the Andokides painter in the Museo Archeologico Regionale, Palermo (not illustrated), is a prime example of the transition from black-figure vase painting to the red-figure style in the late 6th century to early 5th century BC that commonly resulted in "bilingual" vases, using both ...
The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle. The work represents an early use of foreshortening and three-quarter views of figures in Greek vase-painting, breaking with earlier conventions of employing ...
The Pontic Group (or Pontic vases) is a sub-style of Etruscan black-figure vase painting. Diomedes and Polyxena, Pontic amphora by the Silenus Painter, circa 540/30 BC. Paris:Louvre. Stylistically, Pontic vases are very closely related to Ionic vase painting. It is assumed, that the vases were produced in Etruria by craftsmen who had emigrated ...
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Based on their style, they were for the longest time considered as either Etruscan or Corinthian products. However, added inscriptions in Ionic Greek support the hypothesis of immigration. The workshop only lasted for one generation. By now, about 40 vases of the style are known, all produced by the two masters and their assistants.
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