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Shadowgraphy or ombromanie is the art of performing a story or show using images made by hand shadows. It can be called "cinema in silhouette". It can be called "cinema in silhouette". Performers are titled as a shadowgraphist or shadowgrapher.
This image is a derivative work of the following images: File:Dancing_men.png licensed with PD-old 2005-06-28T08:44:26Z Sador 346x44 (2646 Bytes) From "The Adventure of the Dancing Men" Sherlock Holmes story. {{PD}} * Image importée de en.wikipedia.org ; Uploaded with derivativeFX
Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.
The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling counterclockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body ...
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This image is a derivative work of the following images: Upper body front.png licensed with PD-self 2009-04-29T06:42:47Z -Strogoff-975x991 (498030 Bytes) Make the background transparent, much easier to use in SVG format. 2009-02-19T18:39:58Z Mikael Häggström 975x991 (717389 Bytes) Upon request, from now on I take on a slightly more grave ...
In March 1909, Matisse painted a preliminary version of this work, known as Dance (I). [3] It was a compositional study and uses paler colors and less detail. [4] The painting was highly regarded by the artist who once called it "the overpowering climax of luminosity"; it is also featured in the background of Matisse's Nasturtiums with the Painting "Dance I", (1912).
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