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  2. Hessian fabric - Wikipedia

    en.wikipedia.org/wiki/Hessian_fabric

    Hessian (UK: / ˈ h ɛ s i ə n /, US: / ˈ h ɛ ʃ ə n / [1]), burlap in North America, [2] or crocus in Jamaica [3] and the wider Caribbean, is a woven fabric made of vegetable fibres, usually the skin of the jute plant [4] [5] [6] or sisal leaves. [7]

  3. We Found the Top Wallpaper Patterns to Buy Online - AOL

    www.aol.com/heres-proof-toile-wallpaper-making...

    Country Life Toile Wallpaper. French for "canvas," toile patterns often depict highly detailed pastoral landscapes and scenes from 18th-century France. The patterned reigned throughout much of ...

  4. Jute - Wikipedia

    en.wikipedia.org/wiki/Jute

    Jute is used in the manufacture of fabrics, such as Hessian cloth, sacking, scrim, carpet backing cloth (CBC), and canvas. Hessian is lighter than sacking, and it is used for bags, wrappers, wall-coverings, upholstery, and home furnishings. Sacking, which is a fabric made of heavy jute fibers, has its use in the name.

  5. Scrim (material) - Wikipedia

    en.wikipedia.org/wiki/Scrim_(material)

    Scrim is a glass fiber (previously burlap) open-mesh tape used to cover joints in plasterboard/wall board before plastering. It prevents a crack from appearing in the plaster finish at a later date. The roll of tape may be plain or adhesive-coated to facilitate its installation. [11]

  6. History of Dundee - Wikipedia

    en.wikipedia.org/wiki/History_of_Dundee

    Jute is a rough fibre from India used to make sacking, burlap, twine and canvass. By the 1830s, it was discovered that treatment with whale oil , a byproduct of Dundee's whaling industry, made the spinning of the jute fibre possible, which led to the development of a substantial jute industry in the city which created jobs for rural migrants.

  7. William Morris wallpaper designs - Wikipedia

    en.wikipedia.org/wiki/William_Morris_wallpaper...

    The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.

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