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Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2 , by William Shakespeare .
Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
The "Operadis" discography lists more than seventy other recordings, made at live performances. They include those conducted by Sir Thomas Beecham at the Metropolitan Opera in 1944 with Leonard Warren in the title role; [4] Fritz Reiner with Warren at the Met (1948); [5] Victor de Sabata with Mariano Stabile at La Scala (1951); [6] Karajan and Gobbi at the Salzburg Festival (1957); [7] Tullio ...
Portrait by Giovanni Boldini, 1886. Giuseppe Fortunino Francesco Verdi (/ ˈ v ɛər d i /, Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas.
The recent by Xover (talk · contribs) from Falstaff (opera) to Falstaff (Verdi) seems ill-advised to me. 1) That name has been in use for this article for a very long time, because 2) this is the best known opera of that name; 3) consequently, there are hundreds links to this name, including from other language Wikipedias; 4) the page mover didn't bother to adjust at least two significant ...
Ambrogio Maestri (born 1970) is an Italian operatic baritone.He is especially known for his portrayal of the title character in Giuseppe Verdi's Falstaff. [1] [2] He studied piano and singing in his home town, Pavia.
For example, the C-major fugue from J. S. Bach’s The Well-Tempered Clavier, Book 1 (BWV 846) opens with an initial succession of statements of the subject, each at a distance of six beats: Bach Fugue in C WTC1 opening bars Bach Fugue in C BWV 846 opening bars. As the musical argument proceeds, the gap between the entries closes to two beats:
One of the earliest operatic versions of Shakespeare's play, Salieri's Falstaff is notable for a general compression and streamlining of the original plot, note the absence of the two young lovers, Fenton and Anne, and the addition of a scene in which Mistress Ford pretends to be German to charm Falstaff (actually two such scenes exist, one in ...