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Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In English, modern and contemporary are synonyms, resulting in some conflation and confusion of the terms modern art and contemporary art by non-specialists. [1]
More recent artistic production is often called contemporary art or Postmodern art. Modern art begins with the post-impressionist painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec. These artists were essential to modern art's development. [3]
There is no agreement that all art after modernism is post-modern. Contemporary art is the more-widely used term to denote work since roughly 1960, though it has many other uses as well. Nor is post-modern art universally separated from modernism, with many critics seeing it as merely another phase in modern art or as another form of late ...
Modern art therefore belongs only to the later phases of modernity. [73] For this reason art history keeps the term modernity distinct from the terms Modern Age and Modernism – as a discrete "term applied to the cultural condition in which the seemingly absolute necessity of innovation becomes a primary fact of life, work, and thought". And ...
Postmodernism in visual art begins and functions as a parallel to late modernism [3] and refers to that period after the "modern" period called contemporary art. [4] The postmodern period began during late modernism (which is a contemporary continuation of modernism), and according to some theorists postmodernism ended in the 21st century.
It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together. Metamodernism reflects an oscillation between, or synthesis of, different "cultural logics" such as modern idealism and postmodern skepticism, modern sincerity and postmodern irony, and other seemingly ...
Degenerate art was a term adopted by the Nazi regime in Germany for virtually all modern art. [141] Such art was banned because it was un-German or Jewish Bolshevist in nature, and those identified as degenerate artists were subjected to sanctions. These included being dismissed from teaching positions, being forbidden to exhibit or to sell ...
In The Invention of Art: A Cultural History, Larry Shiner examines the construction of the modern system of the arts, i.e. fine art. He finds evidence that the older system of the arts before our modern system (fine art) held art to be any skilled human activity; for example, Ancient Greek society did not possess the term art, but techne.