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Fugue in G minor, BWV 578, (popularly known as the Little Fugue), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707). It is one of Bach's best known fugues and has been arranged for other voices, including an orchestral version by Leopold Stokowski.
BWV 578 – Fugue in G minor ("Little") BWV 579 – Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4) BWV 580 – Fugue in D major (doubtful) [12] BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius) BWV 582 – Passacaglia and Fugue in C minor
BWV 578 – Fugue in G minor "Little" BWV 579 – Fugue on a theme by Arcangelo Corelli (from Op. 3, No. 4); in B Minor; BWV 580 – Fugue in D major (spurious) BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius) BWV 581a – Fugue in G major (spurious) BWV 582 – Passacaglia and Fugue in C minor
The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above. The first edition of the Bach-Werke-Verzeichnis was published in 1950.
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.
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Robert Huw Morgan plays Bach's Fantasia and Fugue in G minor on the Fisk-Nanney organ at the Stanford Memorial Church in Stanford, California. Martin Hruschka plays the Fugue in G minor on the de Graaf organ at the Emmauskirche Berlin-Kreuzberg (live recording)
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the durezza style of Girolamo Frescobaldi. While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Dürr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs.