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IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars.
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Title page of the first edition. L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711.
Antonio Vivaldi – Instrumental Works Cross-Reference: A reference guide, cross-listing works by Ryom [RV], Fanna [F], Pincherle [P], Ricordi, and Opus numbers, as well as providing several other helpful lists of Vivaldi's works; Catalogue of Vivaldi's works; RV catalogue (in French) Compositions by Antonio Vivaldi at AllMusic
Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène’s edition of Vivaldi’s Op. 8, 1725) Title page, 1725. Il cimento dell’armonia e dell’inventione (The Contest Between Harmony and Invention) is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8.
Metamorphosis of Vivaldi's Four Seasons is a musical piece featuring guitarist Uli Jon Roth's interpretation of Antonio Vivaldi's work The Four Seasons, in a rock-classical fusion. The album also includes a new concerto, "Metamorphosis". "Metamorphosis" is separated into 24 tracks bridged by soundscapes and narration.
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
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