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These monologues have been remembered fondly thanks to the performances of their actors and the impact they had on the film and its audience. So sit tight as we take a look at the 15 best.
The monologue is near the conclusion of Blade Runner, in which detective Rick Deckard (played by Harrison Ford) has been ordered to track down and kill Roy Batty, a rogue artificial "replicant". During a rooftop chase in heavy rain, Deckard misses a jump and hangs on to the edge of a building by his fingers, about to fall to his death.
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
Spalding Gray (June 5, 1941 – c. January 11, 2004) was an American actor, novelist, playwright, screenwriter and performance artist.He is best known for the autobiographical monologues that he wrote and performed for the theater in the 1980s and 1990s, as well as for his film adaptations of these works, beginning in 1987.
"The first time I heard Gloria's monologue I honestly kinda rolled my eyes, because it felt like the same thing I'd seen a million times before in half-done advertising campaigns or in moody ...
A follow-up to Gray's earlier work, Swimming to Cambodia, the work consists of a long-form monologue by Gray detailing the trials and tribulations he encountered while writing his first novel, Impossible Vacation (the titular "monster"). He also relates the sudden fame afforded him after the release of Swimming to Cambodia.
The Black List tallies the number of "likes" various screenplays are given by development executives, and then ranks them accordingly. The most-liked screenplay is The Imitation Game, which topped the list in 2011 with 133 likes; it went on to win the Academy Award for Best Adapted Screenplay at the 87th Academy Awards in 2015.
Peter DeBruge of Variety stated that "[i]n adapting Ntozake Shange's Tony-nominated play—a cycle of poetic monologues about abuse, abortion and other issues facing modern black women, rather than a traditional narrative—the do-it-all auteur demonstrates an ambition beyond any of his previous work. And yet the result falls squarely in ...