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Party Girl is a 1958 American film noir directed by Nicholas Ray and starring Robert Taylor, Cyd Charisse and Lee J. Cobb.Filmed in CinemaScope, it was the last film Charisse did for Metro-Goldwyn-Mayer, and the next-to-last film Taylor did for the studio; they were MGM's last two remaining major contract stars.
Title Director Cast Genre Notes The Case Against Brooklyn: Paul Wendkos: Darren McGavin, Margaret Hayes, Warren Stevens: Drama: Columbia: Cat on a Hot Tin Roof: Richard Brooks ...
September 10, 1958 Dunkirk [N 1] Distribution only; produced by Ealing Films: September 20, 1958 Cat on a Hot Tin Roof: Co-production with Avon Productions Nominated for Academy Award for Best Picture October 10, 1958 The Decks Ran Red: Co-production with Andrew L. Stone, Inc. October 24, 1958 Torpedo Run: October 28, 1958 Party Girl: Co ...
Party Girl, starring Cyd Charisse and Robert Taylor; The Perfect Furlough, starring Tony Curtis and Janet Leigh; Phagun, starring Madhubala and Bharat Bhushan – Police, starring Madhubala and Pradeep Kumar – The Proud Rebel, starring Alan Ladd and Olivia de Havilland
"Party Girl", a Bernadette Carroll single produced and co-written by Ernie Maresca "Party Girl", a song from Elvis Costello and the Attractions' album Armed Forces A cover of the above song featured on Linda Ronstadt's Mad Love
Charisse had a slightly unusual serious acting role in Party Girl (1958), where she played a showgirl who became involved with gangsters and a crooked lawyer, although it did include two dance routines. It was far more profitable for MGM than her musicals. [11] She went to Universal to co-star with Rock Hudson in Twilight for the Gods (1958).
Pages in category "1958 romantic drama films" The following 30 pages are in this category, out of 30 total. ... Party Girl (1958 film) Phir Subha Hogi; S. Separate ...
Party Girl had an Internet premiere ahead of its wide release, transmitted from the office of Glenn Fleishman and his Point of Presence Company on June 3, 1995. [2] While the early video transmission was limited to black and white, it marked the first time a feature film with an American movie theater release was broadcast generally online. [6]
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