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"Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies. Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009).
A palendag, a Philippine bamboo flute of the Maguindanaon people. The palendag, also called Pulalu (Manobo [1] and Mansaka), Palandag (), [2] Pulala and Lumundeg is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). [3]
The lip-valley flutes in the Philippines are known by different names: abalao, abellao, sinongyop ; balding, paldong, enoppok, innupok (Kalinga); tipano, kipano, paldeng ; and taladi ; palendag (Maguindanao); palalu ; Palandag . The lip-valley flutes from the Southern Philippines tend to be longer than those from the Northern Philippines.
The suling (Sundanese: ᮞᮥᮜᮤᮀ) is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, [1] Indonesia, [2] Malaysia, [2] the Philippines and Singapore. [3]
Polychordal tube zithers in the Philippines vary from place to place. Each instrument is different from the other by size, shape, aesthetic design, and the number of strings. The Kalinga kulibit has six or sometimes eleven strings. The Isneg ohitang has five strings: two in front and three in the back. The Ilonggot kollesing has five or six ...
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
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The instrument generates a buzzing sound from the slit between the two tongues when the instrument is struck against the lower palm of the hand of the player. Furthermore, the sound can be altered by covering and uncovering a hole found on the bottom half of the instrument with the thumb of the hand which grasps the instrument.