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  2. Messa di voce - Wikipedia

    en.wikipedia.org/wiki/Messa_di_voce

    Verdi's "Pace! Pace, mio Dio", from La Forza del destino, is a later example in the transition from bel canto singing. Messa di voce became less common in the less stylized, speech-like singing of Romantic music of the mid- and late nineteenth century. In the popular music of the West, messa di voce became even less common.

  3. Italian phonology - Wikipedia

    en.wikipedia.org/wiki/Italian_phonology

    In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard").

  4. List of Italian musical terms used in English - Wikipedia

    en.wikipedia.org/wiki/List_of_Italian_musical...

    Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...

  5. Tenore di grazia - Wikipedia

    en.wikipedia.org/wiki/Tenore_di_grazia

    Tenore di grazia, also called leggero tenor [a] (graceful, light, and lightweight tenor, respectively), is a lightweight, flexible tenor voice type. [2] [3] The tenor roles written in the early 19th-century Italian operas are invariably leggero tenor roles, especially those by Rossini such as Lindoro in L'italiana in Algeri, Don Ramiro in La Cenerentola, and Almaviva in Il barbiere di Siviglia ...

  6. Ossia - Wikipedia

    en.wikipedia.org/wiki/Ossia

    Ossia (Italian:) is a musical term for an alternative passage which may be played instead of the original passage. The word ossia comes from the Italian for "alternatively" and was originally spelled o sia, meaning "or be it". [1] Ossia passages are very common in opera and solo-piano works.

  7. Se vuol ballare - Wikipedia

    en.wikipedia.org/wiki/Se_vuol_ballare

    The cavatina " Se vuol ballare" is an aria for bass from the first act of the opera The Marriage of Figaro by Wolfgang Amadeus Mozart.The libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784).

  8. Canzonetta - Wikipedia

    en.wikipedia.org/wiki/Canzonetta

    In music, a canzonetta (Italian pronunciation: [kantsoˈnetta]; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a ...

  9. Appoggiatura - Wikipedia

    en.wikipedia.org/wiki/Appoggiatura

    An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.