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Common themes include sarcasm, tongue-in-cheek, banter, insults, self-deprecation, taboo subjects, puns, innuendo, wit, and the British class system. [1] These are often accompanied by a deadpan delivery which is present throughout the British sense of humour. [ 2 ]
Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.
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Tales from Shakespeare is an English children's book written by the siblings Charles and Mary Lamb in 1807, intended "for the use of young persons" [1] while retaining as much Shakespearean language as possible. [2]
Every Body Mistaken is a 1716 "revival" and directorial adaptation of Shakespeare's play by an anonymous author. [9] See If You Like It; or, 'Tis All a Mistake, an anonymous adaptation staged in 1734 at Covent Garden, performed in two acts with text from Plautus and Shakespeare. Shakespeare purists considered it to be the "worst alteration ...
The first says the play was "acted by the King's Majesty's servants at the Globe"; the second version omits the mention of the Globe Theatre, and prefaces the play with a long epistle that claims that Troilus and Cressida is "a new play, never staled with the stage, never clapper-clawed with the palms of the vulgar".
Simply Jigsaw. Piece together a new jigsaw puzzle every day, complete with themes that follow the seasons and a super useful edges-only tool. By Masque Publishing