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Annabella Gloria Sciorra (/ ˈ ʃ ɔːr ə / SHOR-ə, Italian:; born March 29, 1960) is an American actress.She came to prominence with her film debut in True Love (1989) and worked steadily throughout the 1990s in films such as Jungle Fever (1991), The Hard Way (1991), The Hand That Rocks the Cradle (1992), The Addiction (1995), Cop Land (1997), and What Dreams May Come (1998).
Romeo Is Bleeding is a 1993 neo-noir crime thriller film directed by Peter Medak, written and produced by Hilary Henkin, and starring Gary Oldman, Lena Olin, Annabella Sciorra, Juliette Lewis, and Roy Scheider. It follows a psychosexual cat-and-mouse game between a corrupt cop (Oldman), and a ruthless mob assassin (Olin) who begin to fall in love.
The Hand That Rocks the Cradle is a 1992 American thriller film directed by Curtis Hanson and written by Amanda Silver.The film stars Annabella Sciorra, Rebecca De Mornay, Matt McCoy, Ernie Hudson, Julianne Moore and Madeline Zima.
Annabella Sciorra’s character resurfaced after a rape in the Inwood neighborhood of Manhattan bore similarities to several that had been committed in The Bronx in the past year. Realizing that a ...
Whispers in the Dark is a 1992 American erotic thriller film written and directed by Christopher Crowe and starring Annabella Sciorra, Jamey Sheridan, Alan Alda, Jill Clayburgh, John Leguizamo, Deborah Unger, and Anthony LaPaglia.
Veteran stars Vincent D'Onofrio, Kathryn Erbe, Jamey Sheridan, and Courtney B. Vance returned for the fifth season of Law & Order: CI.This season, long-time Law & Order franchise actor, Chris Noth reprises his role of Detective Mike Logan partnered with Annabella Sciorra as Detective Carolyn Barek, alternating episodes with D'Onofrio and Erbe (all four work together in the two-part episode "In ...
New to the mix for Season 2 are Annabella Sciorra (Law & Order: Criminal Intent) as Fay Bonanno, the wife of mob boss Joe Bonanno who, unlike most mafia wives, is deeply entrenched in her husband ...
Despite the title, “Fresh Kills” is an organized crime tale whose body count and violence remains largely offscreen. What grips us is the fear that those things might at any moment invade the ...