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Often, the stencil material covering the interiors of closed letterforms (e.g. a, b, d, e, g, etc.) would fall away during continued printing, causing ink-filled letters in the copies. The stencil would gradually stretch, starting near the top where the mechanical forces were greatest, causing a characteristic "mid-line sag" in the textual ...
A parish magazine or parish bulletin, also called church bulletin, is a periodical produced by and for an ecclesiastical parish. It usually comprises a mixture of religious articles, community contributions, and parish notices, including the previous month‘s christenings, marriages, and funerals. Magazines are sold or are otherwise circulated ...
Perforated metal has been utilized across a variety of industries including, but not limited to: Ceiling of Culture Palace (Tel Aviv) concert hall is covered with perforated metal panels Perforated steel Marston Matting airfield. Architectural - infill panels, sunshade, cladding, column covers, metal signage, site amenities, fencing screens ...
"Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood panel, stucco, or other materials, such as azulejo tiling in Portugal.
Articles written for church bulletins are often sermonettes in essence. They contain an introduction, frequently a joke, a body or situation that is being addressed, a biblical equivalent and a wrap-up or point tying the illustration and scripture together in a meaningful way.
The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. [2]
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St. Michael's Basilica is 15 ft (4.6 m) taller than Holy Name in Chicago, somewhat narrower, and about the same length. Holy Name seats about 300 more people (1,520 vs 1,200). Construction of the cathedral started in 1903 and finished in 1921. Italian marble with veined panels was used throughout the interior of the nave and the sacristy.