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Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings. He is best known for his "Billy and Blaze" book series. The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson.
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
Lucy Elizabeth Kemp-Welch (20 June 1869 – 27 November 1958) was a British artist and teacher who specialized in painting horses. Though increasingly overlooked after the Second World War, from the late 1890s to the mid-1920s she was one of the country's best-known female artists.
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. Bonheur added some finishing touches in 1855. Bonheur added some finishing touches in 1855.
A physical characteristic is that she always appears in scratchy black and white, reminiscent of old film footage, while the world around her remains in color (an effect achieved through the use of chroma key, requiring Coffield to wear clothing and body paint of the same color with avoidance of the same color elsewhere on the set). A theme ...
Boy on a white horse, drawing by Theodor Kittelsen (1857–1914). Of the four elements, water is the one most often associated with the horse, [ 156 ] whether the animal is assimilated to an aquatic creature, linked to fairy-like beings such as Japan 's kappa , or mounted by water deities.
Noting, “My kids still do not know [this] to this day,” Cavallari — who shares sons Camden, 12, and Jaxon, 10, and daughter Saylor, 9, with ex Jay Cutler — added that the event took place ...
Black and coloured chalks, white bodycolour, black and brown wash, pen and ink, and brush and ink on pale pink prepared paper. 27.8 × 19.4 cm: The identity of the sitter is unknown. [192] An unidentified woman [193] c. 1532 – c. 1543: Black and coloured chalks, and pen and ink on pale pink prepared paper. 28.8 × 22.8 cm