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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Accent can refer to any stressed or emphasized note, such as sforzando.It was used to indicate an ornament until the 18th century. In German Baroque music it occurs in J. S. Bach's ornament tables as a stressed appoggiatura, indicated by a half circle or "C" in front of a note.
Although less common, musical quotations can be found in rock music, for example Barenaked Ladies "Hello City" quotes a stanza from The Housemartins' "Happy Hour". Sampling, a foundation of hip hop music, is the reuse of a portion (or sample) of a sound recording in another recording. [11]
Occasionally, music written in German for international use will use H for B natural and B b for B flat (with a modern-script lower-case b, instead of a flat sign, ♭). [ citation needed ] Since a Bes or B ♭ in Northern Europe (notated B in modern convention) is both rare and unorthodox (more likely to be expressed as Heses), it is generally ...
A "register" of the human voice, such as whistle register, is a series of tones of like quality originating through operation of the larynx.The constituent tones result from similar patterns of vibration in the vocal folds, which can generate several different such patterns, each resulting in characteristic sounds within a particular range of pitches. [1]
Medium images giving examples should be displayed in thumbnails to the right (or stagger right and left if frequent). For example, most images of chords should be displayed this way, while their motivic elaborations should be displayed as illustrations. Large images giving segments of music or depicting features of music should be displayed in ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent: