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The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
"A Mighty Fortress Is Our God" (originally written in German with the title "Ein feste Burg ist unser Gott") is one of the best known hymns by the Protestant Reformer Martin Luther, a prolific hymnwriter. Luther wrote the words and composed the hymn tune between 1527 and 1529. [1]
Martin Luther Paul Speratus The First Lutheran hymnal , published in 1524 as Etlich Cristlich lider / Lobgesang und Psalm (Some Christian songs / canticle, and psalm), often also often referred to as the Achtliederbuch (Book with eight songs, literally Eightsongsbook), was the first Lutheran hymnal .
Front page of the Achtliederbuch (1524), known as the first Lutheran hymnal. Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ars perfecta (Catholic Sacred Music of the late Renaissance) and towards ...
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Martin Luther wrote the text of "Nun komm, der Heiden Heiland" possibly for the Advent of 1523 as a paraphrase of a passage, Veni redemptor gentium, [1] from the Latin Christmas hymn "Intende qui reges Israel" by Ambrose. [2] [3] Several Latin versions begin with "Veni redemptor gentium", in similarity to hymns such as "Veni Creator Spiritus". [4]
Martin Luther King Jr. visited St. Helena Island five times between 1964-67, using Penn Center — which began in 1862 as a school for freed slaves — as a retreat and place to plan.
Eyn geystlich Gesangk Buchleyn ("A spiritual song booklet"), was the first German hymnal harmonised for choir, published in Wittenberg in 1524 by Johann Walter who collaborated with Martin Luther. It contains 32 sacred songs, including 24 by Luther, in settings by Walter for three to five parts with the melody in the tenor.