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[3] [4] [30] Outside, stylised as 1. Outside – The Nathan Adler Diaries: A Hyper-cycle, was released on 25 September 1995 by Virgin America in the US and Arista, BMG and RCA in other territories on LP and CD formats. [9] [5] The CD release was the full 75-minute album, while the LP release was an abridged version titled Excerpts From 1.
[4] 4.7 in (12 cm) 120 mm records. Techno artist Jeff Mills released the single for "The Occurrence" on a disc that is a gramophone record on one side, and a compact disc on the other. Although dubbed a 5-inch record, to be usable in most compact disc players, the record can be no bigger than 120 mm or about 4.7". [5] 5 in (13 cm)
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
sets of 10 in (25 cm) and 12 in (30 cm) 78 rpm records; singles and sets of 12 in (30 cm) long-play records; sets of 45 rpm records (either in several connected sleeves or a box) the front-facing panel of: a cassette J-card; a CD package; the primary image accompanying a digital download of the album (or of its individual tracks).
A 640 × 480 VGA image has a SAR of 640/480 = 4:3, and if displayed on a 4:3 display (DAR = 4:3) has square pixels, hence a PAR of 1:1. By contrast, a 720 × 576 D-1 PAL image has a SAR of 720/576 = 5:4, but if displayed on a 4:3 display (DAR = 4:3) the PAR is 4/3 : 5/4 = 16:15 ≈ 1.066. This means that the pixels of the PAL picture must be ...
A flexi disc could be moulded with speech or music and bound into the text with a perforated seam, at very little cost and without any requirement for a hard binding. [4] One problem with using the thinner vinyl was that the stylus's weight, combined with the flexi disc's low mass, would sometimes cause the disc to stop spinning on the ...
The vertical resolution is usually a multiple of 8 or 16 pixels due to most video codecs processing pixels on such sized blocks. A widescreen FHD video can be 1920 × 800 for a 12∶5 ratio or 1920 × 1040 for roughly 1.85 × 1 , for instance.
It had the advantage of being a single number specifying the size and was not confusing when the aspect ratio was universally 4:3. In the US , when virtually all TV tubes were 4:3, the size of the screen was given as the true screen diagonal with a ‘V’ following it (this was a requirement in the US market but not elsewhere).