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Sino trajes de mil cortes Y de telas mil y mil. Y a no ser por sus zapatos, Chanclas, botas y escarpín, Descalcita por el suelo Anduviera la infeliz Apetito nunca tuvo Acabando de comer, Ni gozó salud completa Cuando no se hallaba bien Se murió del mal de arrugas, Ya encorvada como un tres, Y jamás volvió a quejarse Ni de hambre ni de sed.
La Fábula de Polifemo y Galatea (The Fable of Polyphemus and Galatea), or simply the Polifemo, is a literary work written by Spanish poet Luis de Góngora y Argote.The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid.
In narratology, fabula (Russian: фабула, IPA:) refers to the chronological sequence of events within the world of a narrative and syuzhet [1] (Russian: сюжет, IPA: [sʲʊˈʐɛt] ⓘ) equates to the sequence of events as they are presented to the reader.
The Acorn and the Pumpkin (Le gland et la citrouille, IX.4) The Animals Sick of the Plague (Les animaux malades de la peste, VII.1) The Ant and the Grasshopper (La cigale et la fourmi, I.1) The Ape and the Dolphin (Le single et le dauphin, IV.7) The Ass and his Masters (L'âne et ses maitres, VI.11) The Ass Carrying Relics (L'âne portant des ...
In 2000, she was Director of the Cultural Supplement ESPACIOS, for El Caribe and she is a member of the Academia Dominicana de la Historia. [ 3 ] [ 14 ] In 2006, Alfaguara published her novel La vida es otra cosa , which became a bestseller in Dominican literature.
Hercules, son of Jupiter and Alcmena, but the reputed son of Amphitryon; Juno, sister and wife of Jupiter, and queen of heaven; Chorus (of Thebans) Amphitryon, husband of Alcmena
The Fable (Spanish - La Fábula) is a 1580 allegorical painting by El Greco, produced early in his Toledan period and now in the Museo del Prado in Madrid. [1] The light effects and use of colour show the influence of Jacopo Bassano, which the painter had picked up in Italy. It shows a monkey and a rogue flanking a boy blowing on an ember or taper.
It was considered the shortest short story in the Spanish language until the publication of another three works during the 21st century: one in 2005, El emigrante, by Luis Felipe Lomelí; [2] other, in 2006, Luis XIV, by Juan Pedro Aparicio, and one in 2015, Epitafio para un microrrelatista, by Marcelo Gobbo.