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Feathers add chromatic and luminous feathers difficult to create with paints, although oil painting at the time had well developed techniques to play with light. [31] Mexican expertise was valued as well. Even though there was feather art also made in Asia, it was not as valued in the 16th and 17th century as that from Mexico. [39]
The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune. [2] [3] [4]
The grandala (Grandala coelicolor) is a species of bird in the thrush family Turdidae.It is the only species placed in the genus Grandala.It is an arboreal insectivore.It ranges across the northeastern Indian Subcontinent and some adjoining regions, existing primarily in the low-to-mid altitudes of the Himalayas.
Tian-tsui (Chinese traditional: 點翠, Chinese simplified: 点翠, pinyin: diǎncuì, "dotting with kingfishers") is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the iridescent blue feathers of kingfisher birds as an inlay for fine art objects and adornment, from hairpins, headdresses, and ...
The Floating Feather is the commonly used name for an oil-on-canvas painting by Dutch artist Melchior d'Hondecoeter, properly titled A Pelican and Other Birds Near a Pool. The fine detail of the feather floating on the pond led to the "official" title being quickly supplanted.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
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The crest is made up of semiplume feathers: a long rachis with barbs on either side. These are plumulaceous feathers, meaning that they are soft and bendable. In birds, these semiplumes are common along the head, neck, and upper back, and may be used for buoyancy and sensing vibrations. Crests on birds are generally used for display purposes.