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A contact print is a photographic image produced from film; sometimes from a film negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or photographic paper is placed emulsion side down, in contact with a piece of photographic paper, light is briefly shone through the negative or ...
Kodacolor II – 35mm-film for colour prints. In still photography, Kodak's Kodacolor brand has been associated with various color negative films (i.e., films that produce negatives for making color prints on paper) since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". [1]
Film is then dried in a dust-free environment, cut and placed into protective sleeves. Once the film is processed, it is then referred to as a negative. The negative may now be printed; the negative is placed in an enlarger and projected onto a sheet of photographic paper. Many different techniques can be used during the enlargement process.
A roll of Kentmere 100 black and white negative film in 135 format. In 2007, Harman Technology acquired Kentmere Photographic Ltd, a manufacturer of photographic paper in Kentmere, Lake District. [17] Production moved to Mobberley and in 2009 two new classic grain black and white films were added under the Kentmere brand.
The transfer of the paper prints was done at one exposure setting without any consideration for the variations in image density of the negative, so Gregory adjusted his lighting that reflected off the print to maximize the information captured to a new film negative. There is no record of the film format used to recapture the paper prints.
Color print film is the most common type of photographic film in consumer use. Print film produces a negative image when it is developed, requiring it to be reversed again when it is printed onto photographic paper. Almost all color print film made today is designed to be processed according to the C-41 process.
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"Cleaning" a negative of unwanted artifacts (noise) from the line camera process, (lines, etc., from the edges of traditional hot-wax analog "font" paste-up, and dirt), would be done by scraping the exposed emulsion from the negative with an X-Acto Knife (for areas intended to be exposed on the printing plate). Similarly, negatives were ...
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