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Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
As a final effort for VHS, the D-VHS system had significant advantages as a highly versatile domestic recorder (the other tape-based formats are DV and Digital8, which never gained any traction except as camcorder media), but given the wholesale move to DVD and then hard disk drive (HDD) recording, the format failed to make any headway into the video market.
Although it is possible to transfer tapes (using the VCR to rerecord the source video as it is played back by the camcorder), the VHS copy would lose some quality compared to the 8mm original. During the 1990s Sony did market a few VHS VCRs that also feature an 8mm deck to allow convenient transfer to VHS. GoldStar also made a similar dual-deck ...
On sites like eBay and LoveAntiques, collectible VHS tapes are valued at upwards of nearly $10,000 - depending on the rarity and condition of the tape, of course.
In 2000 Philips introduced the Shadow Telecine (STE), a low-cost version of the Spirit with no Kodak parts. The Spirit DataCine, Cintel 's C-Reality and ITK's Millennium opened the door to the technology of digital intermediates , wherein telecine tools were not just used for video outputs, but could now be used for high-resolution data that ...
Studer produced the V-Eight (manufactured and sold by Alesis as the M20) [24] and the V-Twenty-Four digital multitrack recorders. These used S-VHS cassettes for 8-track and 24-track digital audio recording, at a significantly lower cost than their DASH reel-to-reel digital recorders. The videotape transports were made for Studer by Matsushita.
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